Lulla Lulla is a work for unaccompanied ATB divisi Choir by composer Owain Park. The work is dedicated to Matthew Owens and the Vicars Choral of Wells Cathedral. It is a setting of words from the mystery play 'Pageant of the Shearmen and Tailors' believed to be the original source for the 'Coventry Carol'. As well as being an award-winning composer Park also conducts sings and plays the Organ currently holding the post of Organ Scholar at Trinity College Cambridge.

Vocal score for Commedia - Symphony No.4 Op.93 by Jouni Kaipainen (2010). For TTBB choir Baritone and Soprano soloists and Organ. Text by Dante.

Anthem for Treble Voices and Piano or Organ accompaniment written for the choir of The Elms School Colwell. Text: J.J. Schutz.

Commedia - Symphony No.4 Op.93 was composed by Jouni Kaipainen in 2010. Scored for Baritone and Soprano soloists Male Choir TTBB and Organ. Text by Dante.

A useful new resource for choirs, the New Novello Book Of Short and Easy Anthems For Mixed-Voice Choirs is perfect for groups of all sizes and abilities. The pieces in this exciting collection have been carefully chosen to offer a selection of interesting contemporary works alongside older and more well-known anthems. It is recognised that many choirs have limited rehearsal time and, frequently, limited vocal resources. This collection aims to provide works that are easily and quickly learnable, with few splits in voice parts. In addition, many of the pieces in the New Novello Book Of Short and Easy Anthems For Mixed-Voice Choirs can be adapted to work as unison settings with accompaniment, or in other flexible forms. The New Novello Book Of Short and Easy Anthems For Mixed-Voice Choirs is arranged for SATB Choir, with Organ accompaniment. / Choeur Mixte (SATB) Et Orgue

The Blues Service-New settings of the two evening canticles which incorporate jazz elements including harmony in voice parts and organ and many â??blueâ?? notes. Despite these jazz elements the music is very approachable with natural syncopation and mostly homophonic writing. It is also available for mixed choir (ISMN 979-0-060-13011-3). Either version would be enjoyable and rewarding additions to a church choirâ??s modern liturgical repertoire or indeed concert repertoire of all choirs.

Designed specially for schools without an SATB choir this collection contains 21 settings for unison and two-part voices. These arrangements all compatible with The Novello Book Of Carols are scored for tuned and untuned percussion two melody parts (each in C and B flat) guitar chords bass line and simplified piano. These carols provide the ideal opportunity of junior and middle school choirs to join adult choirs in performance whilst fulfilling the need for ensemble music throughout the year. Edited by William Llewellyn.

The Te Deum H 148 is the last of the six settings of this text by Marc-Antoine Charpentier (1643–1704) whose death is now being commemorated three centuries later.Unlike the better known and relatively lavish Te Deum of the “Eurovision Fanfare” (H 146) this version reduces the ensemble to four-voice chorus and basso continuo. Thanks to its relatively simple fabric it is thus ideally suited for church choirs and small amateur ensembles.Despite its reduced forces this Te Deum proves to be an impressive work of great effect in performance.- Urtext based on the latest scholarly research-Straightforward continuo- Four-voice chorus (SATB) without vocal soloists- Duration: approx. 6 minutes- Separate organ part available (BA7591-67)

Composed for Matthew Redman and Colston?s Girls? School Chamber Choir this is a gentle and expressive setting of Salvator Mundi ideal for upper-voice church choirs and cathedral choirs.The text is particularly associated with lent and its implorations for mercy lend it a solemn and penitential atmosphere. The dark key of Bb minor reflects this mood and the long-drawn expressive melody unfolds over a sensuous chromatic accompaniment.

The Lord is My Shepherd is best known as the theme tune to the award-winning BBC TV series The Vicar of Dibley. Warm and melodious Goodall’s setting of Psalm 23 is deservedly well loved by choirs and congregations everywhere. This accessible two-part arrangement offers simple harmonisation and a supportive piano/organ accompaniment ideal for budding upper-voice choirs.The Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.

CHANGING VOICES CHRISTMAS is an exciting collection of Christmas carols and popular songs specifically arranged for changing or ‘cambiata’ male voices. These arrangements are intended to be sung by boys aged approximately 11 years and upwards; precisely the time when many boys give up singing as their changing voices cease to fit comfortably within traditional vocal ranges. Progressive in difficulty and ranging from classic carols to more contemporary Christmas hits the pieces in this collection are suitable for performance in both sacred and secular settings. Together they provide a dynamic and festive selection of music for boys’choral groups of all abilities. As well as the printed score this book is supported by SoundWise: eBook: a digital edition of your music to read on any device. Audio: full demonstration recordings of each piece plus accompaniment-only solo-only and rehearsal backing tracks. 'The arrangements by Ian Crawford are freely imagined bot most distinctive and novel here is the desire to provide a repertoire for teenage boys.' - Geoffrey Webber of choirandorgan.com

Par WEIR JUDITH. Celebrate HM The Queen's 90th Birthday with your choir Sing Judith Weir's special new choral piece I Love All Beauteous Things Master of the Queen's Music, Judith Weir, has been commissioned by St Paul's Cathedral in London to write a piece for SATB choir and organ in celebration of HM The Queen's 90th birthday in 2016. The piece is now available from Chester Music, so that choirs all over the world can join in with the festivities. Churches and other local organisations are planning events on Sunday 12th June and many may want to include this approachable setting of Robert Bridges' poem. Directed by Andrew Carwood, the St Paul's Cathedral Choir will perform I love all beauteous things as part of the National Service of Thanksgiving which will take place on at 11am on 10 June in the presence of HM The Queen and HRH The Duke of Edinburgh. At the service the Archbishop of Canterbury will give the address and the Prime Minister will read a lesson. The event will be televised live on BBC1. Judith Weir comments: 'It is a particular honour to contribute new music for this great occasion, and a pleasure to write a choral version of Robert Bridges' beautiful verse.' Preview the score here Download the digital sheet music here COMPOSER'S NOTE At the suggestion of Michael Hampel, Precentor of St Paul's Cathedral, I have set words by Robert Bridges, who was Poet Laureate from 1913-1930. Bridges was an outstanding humanitarian and writer, whose poetry has inspired me before in The Voice of Desire, a song-cycle for mezzo-soprano and piano. This short, fast-tempo setting aims to emulate the swift, fleet-footed rhyme and metre of the two-verse poem, with its unobtrusive but telling reference to 'man in his hasty days'. J.W. Commissioned by the Chapter of St Paul's Cathedral to mark the 90th birthday of HM The Queen, generously supported by the Boltini Trust. Performed at the National Service of Thanksgiving for HM The Queen's birthday at St Paul's Cathedral, London, on Friday 10th June 2016 in the presence of HM The Queen and HRH The Duke of Edinburgh. Music by Judith Weir, Master of the Queen's Music, words by Robert Bridges, Poet Laureate in the year HM The Queen was born. Duration c. 3½ minutes I LOVE ALL BEAUTEOUS THINGS words by Robert Bridges OM (1844-1930) Poet Laureate 1913-30 I love all beauteous things, I seek and adore them - God hath no better praise, And man in his hasty days Is honoured for them. I too will something make And joy in the making - Altho' to-morrow it seem Like the empty words of a dream Remembered on waking. (I love all beauteous things, etc…)/ Feuillet / Choeur Mixte (SATB) et Orgue

Paperback-For SATB and Organ.This lively carol gives a new take on the well-loved Christmas text and provides an enticing alternative to more familiar versions. Including a range of textures from unison to four-part writing this carol will prove an appealing option for many mixed-voice choirs.

Matthew Owens' St Matthew Passion for soloists SATB and Organ. Written for the Choir of Wells Cathedral of which Matthew Owens is Organist and Master of the Choristers this setting of the St Matthew Passion is ideally suited to liturgical performance during Holy Week. The principal role of the Evangelist is taken by a baritone soloist who narrates the story of Christ's trial and Crucifixion in unaccompanied chant. The other smaller solo roles of Judas (Tenor) Pilate (Tenor) Jesus (Bass) and Pilate's wife (Alto) continue in the same vein with four-part choral interspersions from the crowds soldiers and priests providing acontrast in texture. The hymn 'When I survey the wondrous cross' set to the Rockingham hymn tune appears twice throughout the work and the congregation are encouraged to join in on both occasions. The simple organ part supports the voices for the hymn and may also optionally double the choir during the narrative.

POD-Richard Allain's The Beloved for SATB choir and Organ. This work was commissioned by Merton College Oxford as part of the Merton Choirbook a collection of music being assembled to celebrate Merton College's 750th anniversary in 2014. The Beloved was first performed on the 18th January 2015 in Merton College Chapel by the choir of Merton College conducted by Benjamin Nicholas. This work is a setting of text by Thomas Allain: Above himThe dove will linger in flight As the Light is bathed in water The water bathed in light.And a voice will tearthe heavens apartHe alone hears now within his heart:The Father Well-pleased Whispering his delight. Richard Allain's The Beloved (Novello) another Merton College commission and also with words by his brother on the theme of Christ's baptism gives ample opportunity to demonstrate the virtues of their new organ in a toccata-like interlude illustrating God's voice tearing 'the heavens apart'. After this climax the piece subsides to a pianissimo heterophonic declamation of God's pleasure in his Son. A powerful piece if one has both ·the vocal and instrumental resources to do it justice.  Organists Review December 2017